La Promenade 1870: Canvas Replica Painting: Small
By artist Pierre-Auguste Renoir (1841-1919), in the J. Paul Getty Museum, Los Angeles, California
The artist steals a fleeting moment of clasped hands, dappled sunlight and summer's lush offering in this plein air work inspired by his study with Claude Monet and the works of the Louvre. The artist's characteristic feathery brushwork is put to work in this and his other Impressionistic works of the 1870s and 1880s. The authentic stretched canvas replica painting captures the original work's texture, depth of color, and even its bold brushstrokes, which are applied by hand exclusively for Design Toscano. With bas-relief organic styling, the multi-tiered, replica European style frame is cast in quality designer resin and highlighted with an aged gold-toned finish.
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Small: 13.5"Wx16.5"H framed (7.5"Wx10.5"H image size, 3.25"W frame)
Medium: 26"Wx31"H framed (20"Wx25"H image size, 3.25"W frame)
Large: 32"Wx39"H framed (26"Wx33"H image size, 3.25"W frame)
Grande: 39"Wx45"H framed (33"Wx39"H image size, 3.25"W frame)
   Pierre-Auguste Renoir (1841-1919)

French painter originally associated with the Impressionist movement. His early works were typically Impressionist snapshots of real life, full of sparkling color and light. By the mid-1880s, however, he had broken with the movement to apply a more disciplined, formal technique to portraits and figure paintings, particularly of women.

In 1854 he began work as a painter in a porcelain factory in Paris, gaining experience with the light, fresh colors that were to distinguish his Impressionist work and also learning the importance of good craftsmanship. In 1862 he entered the studio of Gleyre and there formed a lasting friendship with Monet, Sisley, and Bazille. His relationship with Monet was particularly close at this time, and their paintings of the beauty spot called La Grenouillre done in 1869 are regarded as the classic early statements of the Impressionist style. Like Monet, Renoir endured much hardship early in his career, but he began to achieve success as a portraitist in the late 1870s and was freed from financial worries after the dealer Paul Durand-Ruel began buying his work regularly in 1881

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