Hylas and the Nymphs 1896: Canvas Replica Painting: Small
By artist John William Waterhouse (1849-1917), in the Manchester Art Gallery, Manchester, UK
When Hylas, the handsome companion of Hercules, was sent ashore to search for water, the nymphs were so enchanted by his beauty that they pulled him into their depths forever. Whether the young man's fate is an abrupt death by drowning or everlasting sexual bliss is up to the discretion of the viewer. Critics have so lauded this vibrantly-hued work by masterful Waterhouse that it's been said to embrace 'a spirit of real poetry.' The authentic stretched canvas replica painting captures the original work's texture, depth of color, and even its subtle brushstrokes, which are applied by hand exclusively for Design Toscano. Our replica European style, bright gold-toned, ribbed frame is cast in quality designer resin with an acanthus leaf and floret border that draws the eye toward the beautiful image.
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Small: 21.25"Wx15.75"H framed (13"Wx7.5"H image size, 4.375"W frame)
Medium: 29.25"Wx20.75"H framed (21"Wx12.5"H image size, 4.375"W frame)
Large: 38.75"Wx26.75"H framed (30.5"Wx18.5"H image size, 4.375"W frame)
Grande: 47.25"Wx31.75"H framed (39"Wx23.5"H image size, 4.375"W frame)
   John William Waterhouse (1849-1917)

Pre-Raphaelite painter John William Waterhouse painted female characters from mythology and literature and belonged to the Pre-Raphaelite Brotherhood. His parents were painters and he grew up in Rome where he absorbed the culture, rich history and a love for art. Waterhouse's first art teacher was his father until he entered the Royal Academy at age 21.

Waterhouse was inspired by the paintings of Sir Lawrence Alma-Tadema, whose depictions of classical, Roman landscapes and legends appealed to the young painter. He received his diploma from the Academy for his painting of A Mermaid. Waterhouse's paintings often depict a romantic approach to the femme fatale, for example in La Belle Sans Merci and Hylas and the Water Nymphs. He also often painted a forlorn, sole heroine, such as The Lady of Shallot, one of Waterhouse's most famous paintings. Waterhouse's academic and technical skill gained the respect of his peers and critics and his paintings were exhibited at the Academy even after his death in 1917.

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