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Nude Wrestlers: Classic Art Reproduction
Nude Wrestlers: Classic Art Reproduction
By Walter Hill, in the Royal Photographic Society, London
A stunning, framed replica on artists' grade paper under Plexiglas
In its infancy photographers patterned their artistic works after historic themes. Reflecting the famous Greek sculpture called “The Wrestlers,“ the intertwining legs and perfect male forms are dynamically posed in this classic image. A sepia-toned replica print under Plexiglas, it is reproduced with all the endearing flaws that come from the original antique negative. Our imported, walnut-colored hardwood frame with copper-toned accents includes a solid brass museum plate etched with the title and the artist’s name.
Medium:17"Wx18"H.
Large: 25"Wx36"H. 10 lbs.
Item#
Product
Qty
Price
DN715
Nude Wrestlers: Classic Art Reproduction (Medium)
$198.00
This item will be custom made for you. Materials required for the creation of your item are in stock. Please allow 3-4 weeks for delivery!
Oversized: $5.00 + standard shipping and handling charges apply
DN749
Nude Wrestlers: Classic Art Reproduction (Large)
$295.00
This item will be custom made for you. Materials required for the creation of your item are in stock. Please allow 3-4 weeks for delivery!
Oversized: $7.00 + standard shipping and handling charges apply
Walter Hill
The son of a ship's riveter, director/writer Walter Hill studied art in Mexico City, hoping to become a cartoonist; he later transferred to the journalism department at the University of Michigan. Following several years in various jobs, Hill wrote a few documentary films and gained work as an assistant director on such major productions as The Thomas Crown Affair (1968) and Bullitt (1968). Establishing himself in Hollywood as a screenwriter (The Getaway [1972], The Drowning Pool [1975] and others), Hill received his first directing opportunity with Hard Times (1975), a virile tale about bare-knuckles boxing starring Charles Bronson and James Coburn. Hill's reputation was both enhanced and tarnished by The Warriors (1979), a nightmarish, deliberately exaggerated story of gang violence that was banned from several theaters for allegedly inciting real-life gang wars. The director's biggest moneymaker of the early 1980s was 48 Hours (1982), which deftly shifted from grim violence to laugh-out-loud comedy and which made a star of Eddie Murphy. Streets of Fire (1984), which like The Warriors placed a ruggedly realistic story in a near-fantasy setting, didn't do as well as expected, and Hill found himself settling for lesser directing projects for the next few years. Recently, his Geronimo: An American Legend (1993) was somewhat lost amidst a sea of competing "revisionist" westerns. Though his R-rated style is not altogether suited for TV, Hill has nonetheless had his name on the credits of two series since 1989: since he owns the rights to several horror stories from the days of the classic E.C. comic books, Hill is listed as one of the producers of Tales from the Crypt (for which he directed several segments) and its cartoon spin-off Tales from the Cryptk -
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